Jessica Ferguson

Author, Writing Coach, Speaker

IWSG Day! and More!

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I’m late! I’m late! For a very important date!

Today is IWSG day–the first Wednesday of the month. IWSG stands for Insecure Writers Support Group and was founded by Alex J. Cavanaugh. You can follow other IWSG members here  and on twitter using the hashtag #IWSG.

Our purpose is to share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds.

We’re wrapping up renovation at our house and then, after putting everything back in its place, I’ll be in a position to tackle another kind of renovation. Novel renovation! Short story renovation! Mental renovation! I can’t wait!

You probably remember that I said I planned to go to the library every day of renovation and write. Did. Not. Happen. Why on earth I thought I’d be able to do such a thing is beyond me. I’ve never renovated a house before. I’ll give you a tip. Move out completely. Rent a pod or a storage house and get all your furniture out. Otherwise, you’ll go stark raving mad!

When it comes to renovating novels, I suppose we might say the same thing. Some people segregate things. One day they might tackle characterization or setting. The next, they look at the plot line. I hear Scrivener is great at helping compartmentalize things like this. I’m slowly learning Scrivener so we’ll see.

Even though I’m late posting IWSG today, I wanted to post to encourage you all. (And I didn’t want Alex to get me!)

On another note, I’d like for you to read an interview with me and my partner, Jan Rider Newman at The Review Review. Leslie Schultz spoke with us about starting our literary magazine, Swamp Lily Review. The Review Review quoted me at the very top of the website! I’m thrilled!

MEET JAN RIDER NEWMAN

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If there’s one thing I have trouble with in my writing, it’s setting. I have to admit, while reading I often skip lovely, long passages, jump right to the dialogue. Now that I’m beginning to get a little attention from small presses, I’ve devoted more time to studying how writer’s achieve a sense of place. My education comes late. My writer friend and SLR partner Jan Rider Newman has a fine eye for setting and her short stories prove it. Read what Jan has to share about Fitzgerald’s setting in The Great Gatsby.

Setting: The Character We Overlook
by Jan Rider Newman
 
The Great Gatsby, first published in 1925, has gained renewed attention lately because of the latest movie remake. F. Scott Fitzgerald fictionalized the North Shore of Long Island into West Egg and East Egg. Tom and Daisy Buchanan live in more fashionable East Egg. Gatsby and Nick Carraway, the narrator, live in West Egg.

Setting and sense of place is so important to a story it can be one of the characters. Consider Nick Carraway’s descriptions of West and East Egg:
I . . . rented a house . . . on that slender riotous island which extends itself due east of New York — and where there are . . . two unusual formations of land . . . [A] pair of enormous eggs, identical in contour and separated only by a courtesy bay, jut out into the most domesticated body of salt water in the Western hemisphere, the great wet barnyard of Long Island Sound. . . .

I lived at West Egg, the — well, the less fashionable of the two, though this is a most superficial tag to express the bizarre and not a little sinister contrast between them. My house was at the very tip of the egg, only fifty yards from the Sound, and squeezed between two huge places that rented for twelve or fifteen thousand a season. The one on my right was a colossal affair by any standard — it was . . . Gatsby’s mansion. . . . My own house was an eyesore, but it was a small eyesore, and it had been overlooked, so I had a view of the water, a partial view of my neighbor’s lawn, and the consoling proximity of millionaires — all for eighty dollars a month. 

Across the courtesy bay the white palaces of fashionable East Egg glittered along the water . . .
Even if you couldn’t afford one of the “palaces” or a twelve or fifteen thousand dollar “place,” wouldn’t you really enjoy living in Nick’s little house?

The home of Tom’s mistress, Myrtle Wilson, provides jolting contrast:

About half way between West Egg and New York the motor road hastily joins the railroad and runs beside it for a quarter of a mile, so as to shrink away from a certain desolate area of land. This is a valley of ashes — a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens; where ashes take the forms of houses and chimneys and rising smoke . . .

Could anything else offer more contrast or give a better idea of distinctions between and within classes than the descriptions of where the characters live? Tom and Daisy inhabit the ultimate circle—old-money fashionable. Gatsby is fabulously but newly rich, unfashionable in the Buchanan stratosphere. Though not especially rich, Nick is old-money fashionable and moves within both circles. Myrtle, in that village of ashes, lives above a garage, is poor and desperate.

Where is your story set? What does it say about your characters and their society, their passions and ambitions? If possible, go to your setting or one like it. What do you see? Don’t judge. Just look. See the people, the buildings, the sidewalks, streets/roads, animals, trees, and plants. What does the setting say to you? After you figure that out, ask what the setting says about your story. How can you condense the relevance of your setting the way Fitzgerald did, so it practically tells the story for you?

Good luck!
Jan Rider Newman has published short stories, nonfiction, poetry, and book reviews in competitions and anthologies, print and online literary journals. Her published short stories are collected in A Long Night’s Sing and other stories. She publishes and co-edits Swamp Lily Review, an online literary journal, and is webmaster for the Bayou Writers’ Group. Jan’s current WIP, a novel about the 1755 Acadian exile from Nova Scotia, is close to her heart because many of her ancestors fell victim to it. 
 
Her family, including two granddaughters, makes her world go around. They plus writing, research, genealogy, and photography keep her busy. 
A Long Night’s Sing and other stories is available for Kindle and POD. 
 
Jan blogs at Beyond Acadia:  Reading, Writing & Living Well, and her website is HERE.
 

Interview with Pulitzer Winner in Swamp Lily Review

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How’s that for a headline? You may have read my post about being co-owner/co-editor of Swamp Lily Review. It’s HERE. Really, co-anything is an exaggerated stretch since we’ve moved to Oklahoma. You know the old saying, absence makes the heart grow fonder? I never did believe it and now I’m proving it’s not true.

Regardless of my absence, the Swamp Lily Review is thriving under my partner’s fine hand. The May issue is live. And many kudos to Jan for taking the initiative with this issue. Not only did she score an interview with Pulitzer winner Tony Kushner but she transcribed 78 minutes of dialogue with him. Do you have any idea how tedious it is to transcribe from a tape? That’s a dedicated woman/writer/editor/publisher. Read Swamp Lily Review HERE . Just click on May 2012 issue and you can peruse the poetry, photography and the interview.

One thing Tony said in his interview that really spoke to me was:

“I think it’s imperative for a writer to develop a group of people who will know how to tell the truth while being supportive. I mean, if you’re a lousy writer, and you’re wasting your life trying to be a professional writer, somebody should tell you. But I don’t even know what that means, being a lousy writer, so I don’t think I should even say that. It’s very, very, very hard to write. And I’m more thin-skinned than a lot of people.”


If you’re not familiar with playwright Tony Kushner, read more about him HERE and HERE.

Visit and Follow Jan HERE. She is also creator of the Bayou Writers Group website. Click HERE  to read her article on websites.